Kommune is a display typeface inspired by the vernacular shop- and promotion letterings of Burkina Faso. Originally designed as a stencil typeface for the solo show and accompanying catalogue of Burkina Faso born Architect Francis Kéré (famous for his Laongo Opera Village and communal school buildings) at the Pinakothek der Moderne in Munich, it is now also available in a new version as a normal, non stencil typeface.

Kommune comes in two versions, providing two styles in 4 weights each.
Kommune is currently available only for desktop use. Web licence is coming soon – in case of emergency need for web formats contact us through e-mail.

Still Work in Progress. No licences available at the moment.

Sharp, edgy and bold! Huge inktraps all the way down.

A precise and elegant narrow serif that was designed for the long-form copy with a big enough personality to make a statement as a title. It is perfect to give your design that mid 90s retro feel while being rich and contemporary.

A grid inspired typeface!
3 styles: 1 (italic), 0 (regular) and -1 (reversed italic)
language: all latin glyphs

sorry but this font is not for sale yet.

AIRDANCER is a super-extended sans serif typeface designed to be used vertically on a 20ft bright orange airdancer for the 2018 semester opening at HfG Karlsruhe.
This font has been carefully optimized and offers a central-european latin character set.
Total glyphs count: 192

Please feel free to contact me for purchase requests or any questions regarding this font.

Antibody. Still work in progress. Release: tbd

Solenizant
Polish for a person celebrating birthday or nameday.

A unapologetic sharp, contemporary display typeface with experimental approach to weights interpolation.

Family of 10 weights with multiple language support, 350+ glyphs each.
Released by The Designers Foundry

Still Work in Progress. Licences will be available in Spring/Summer 2019.

Extended and uppercase type.

Générale Station is a curated and extended version of my 2017 Générale Mono typeface. You can use for branding your next space station, to decorate the sides of your sea transport containers and (if our global civilisation is reduced to crumbles) to write dystopic messages.

Générale Station can be freely downloaded, modifed and distributed; but please cite its author (Ariel Martín Pérez) when you use it. Free & open-source for the masses

One font combining two different styles. Use only uppercase for style 1 and lowercase for style 2 – or mix both. A licence costs 40€ and is available via mail (info@omfd-official.com).

CITO Mono is pure uppercase and still WIP

A nice one!

Sketleton Typeface was born during the Typography Summer School 2018 in London hosted by Fraser Muggeridge. In a two day long type design workshop Fraser gave every group specific letters out of an book about the American history of Phototypesetting. The goal was to complete the missing glyphs and transform the typeface at points which everyone found interesting.

Camber is a neutral sans-serif font that consists of 236 curvilinear characters that were built on a grid of 1,000 points.

Still a WIP, updates to follow...

Modular-One is a grid based display font. This font was developed with and for Stan Hema during an research part for a even bigger type exploration.

Whole range of interesting ligatures. A nice link between old and new typography.

Ozzy is a strange and wonderful display typeface that travels the Silk road from West to East. The name comes from the famous Shelley poem, Ozymandias, whose kingdom lies in ruins in the desert sand. The letters of Ozzy are reconstructed out of these ruins, using elements from ancient Arabic Kufic and Chinese seal script, combined with the swollen forms of Sixties album covers and the swashes of American brand logos from the 60's. Ozzy aims to surprise you with its unpredictable and idiosyncratic shapes. It is sharp, graphic and strong, but it sways gently too and fro like the load on a camel's back.

Nice ligatures

HYPERCONNCECTION is an extended and uppercase type. Work in process.

Ozzy is a strange and wonderful display typeface that travels the Silk road from West to East. The name comes from the famous Shelley poem, Ozymandias, whose kingdom lies in ruins in the desert sand. The letters of Ozzy are reconstructed out of these ruins, using elements from ancient Arabic Kufic and Chinese seal script, combined with the swollen forms of Sixties album covers and the swashes of American brand logos from the 60's. Ozzy aims to surprise you with its unpredictable and idiosyncratic shapes. It is sharp, graphic and strong, but it sways gently too and fro like the load on a camel's back.

Nieuk (Polish for dunce) is an experimental, modular typeface with lowercase letters only. Characters where constructed by reflecting, rotating and duplicating only two elements – a straight line and an arch. These two were enough to build three sets of consistent shapes.

As it would be expected from a dunce doesn’t hold a baseline. The letters are placed on various levels and have differing heights. This results in a tendency to connect in unexpected ways. Since it is uncommon for latin-based languages, it creates an illusion of foreign script

The typeface creates playful, dynamic-looking sentences. Headlines set in Nieuk are eye-catching and modern. OpenType feature Contextual Alternates (calt) allows to intertwine the three sets.

Oskar Schlemmers Triadisches Ballett premiered 100 years ago and is the inspiration for the geometric approach of this typeface

Scope is a variable, monolinear typeface designed to enable typographic interactions.

Its letters are constructed to function as mechanical variations and follow a strict set of rules: Closed forms are rounded, open forms are angular. This balance breaks the technical aesthetic with a soft, human touch.

Brassia’s design is inspired by Solarpunk, a science fiction genre that looks towards a brighter future based on clean energy production, usually with a distinctive art-nouveau aesthetic. Its letters were drawn by taking a freestyle approach to the latin alphabet, incorporating multiple influences and details from other alphabets. Everything in it is set in capitals, but you’ll find some extra-wonky variations of some glyphs in the lowercase set. Free & open-source for the masses.

Maruder (Polish for Marauder) is a reversed contrast display typeface balancing it's shapes between heavy curves and sharp lines. The first ones, heavy curves seems more friendly whereras the the sharpness is constantly ready to attack and maraud. Maruder is available in 2 styles (Regular and Italic)

Custom typeface for Boxing Lessons from Berlin

/// cryptic looking monotype font, yet readable; round numerics to contrast to edgy letters and signs; every glyph constructed in a strict grid, therefore wildly combinable for sharp looking patterns and new shapes!

Decorative font inspired by street stories and Ramen.
WIP.
The font is not for sale, if anyone wishes to use it please contact me directly on instagram.

Neue Machina is a powerful and meticulously crafted typeface
boasting monospace/geometric type features as well as apparent and deep ink traps in its heavier weights. It is inspired by the aesthetics of robotics and machines — a font suited for the future of technology. It was design to be versatile, to blend in your designs in its lighter weights
or to give them a lot of personality in its heavier ones.

Swush is a 2-component typeface with some swushy weirdness to it. It comes in a spikey "barbed" and a heavier "bulked" cut.

Calligraphy hairline

Twelkmeyer is a recreation of a type designed by Victor Twelkmeyer – an architect, painter, and professor. He designed this type studying at the VHUTEIN (it was a center for three major movements in Russian avant-garde art and architecture: constructivism, rationalism, and suprematism). Twelkmeyer typeface is a mirror to ​​​​​​​the Soviet architecture 30's. It reflects the impressions from Vesnin brothers and Ginzburg's works, a curiosity to Bauhaus, and the first test of the waters of the socialist reconstructions.

Cirka is an elegant typeface that combines classic forms & a vertical axis with sharp, pointy serifs.
It works great set large on posters or headers, or small, as body text.

Experiment with opentype features. Each letter has 4 different glyphs.

Swush is a 2-component typeface with some swushy weirdness to it. It comes in a spikey "barbed" and a heavier "bulked" cut.

Grafier is a timeless serif typeface that brings drastic contemporary aesthetics to classic design.
Grafier features fresh and precise digital curves, square dots and long connected serifs.
Turn on the 1st OpenType style set to disconnect them; the 2nd style set brings you nice and rounded dots. The font family comes in 5 weights from Regular to Black and 2 optical sizes – readable Text and elegant Display. Erase the boundaries between them with the variable format!

Font request via mail (info@omfd-official.com). A licence costs 30€.

Formula is a complete and versatile typeface that bold racy condensed look with the flexibility of a grotesque. To make it graphically unique, we’ve added wide alternates to the uppercase, numerals and some symbols. Some subtle elements set this type apart from the others notably the “t”, “f”, “w” & “Q”.

Brutal is a not stencil calligraphic typeface designed in light, regular and bold.

Sangha Kali typeface based on  Sangha typeface and was optimized  for the digital use. Both of typefaces are inspired by the Brahmic scripts. The name of Sangha Kali based on the traditional dance of one of the most orthodox Brahmin caste – Nambudiri.  This socio-religious dance is dedicated to Goddess Kali, and save numerous gymnasium techniques (known as 'Kalaris') in ancient Kerala where physical exercises and military training with special emphasis on physical feats and swordsmanship were given. 

Calligraphy like font.

Health Goth is a radical gothic typeface inspired by the old-school blackletter tradition. The font was created for the Hungry book. Now it's available for everybody.

Benson Spirit is an adaption of results I achieved during a contrast research based on roman construction at Letterstudio at KABK in The Hague. All drawings went through a lot of iterations and developments and still remain as work in progress, therefore it is not for sale yet. I'm planning to offer Benson Spirit in several weights, coming with a few features, special characters, ligature and all that good stuff type design is offering.

If you're interested in trying out — contact me!

Dyade is still in the making and will be released in 2019.

It's mono but mono

Goliagolia is a geometrically imperfect wavy font that's something in-between hand lettering and the Möbius band. Each letter has been designed to have distinct details that differ from the rest of the letters while still being able to fit in the whole style of the font. This creates a less rigid type in which the imperfect hand lines meet with modern sharp curves to give the typeface an unique contrast.
Buy on: https://thedesignersfoundry.com/goliagolia

MotoSpace is an extended grotesque which is primarily developed for sportive and urban styles.

TИГР/TIGR is my first take on a sans-serif typefaces. It aims for a dynamic, contemporary approach to humanist lettering. My inspiration was mainly drawn from all-time classics such as Gill Sans and Antique Olive. However TИГР/TIGRs edgy letter shapes create a timely, characteristic appearance trough snappy strokes and sharp endings. The narrowing line width towards stems or junctions creates an image of easiness in movement – reemphasized by the wide stand of the capital letters. The thus resulting large, very specific counters qualify TИГР/TIGR for both long running text, as well as distinctive display appearances.

This font has been carefully optimized and offers an extended latin character set, the cyrillic basic and extended adobe sets as well as stylistic alternatives.

Total glyphs count: 575

Please feel free to contact me for purchase requests or any questions regarding this font.

Freya is inspired by classic Antiqua serif typefaces such as the famous „Caslon“ or „Didot“ which are almost three decades old. With great attention to detail and an unique approach, Freya is a modern interpretation of an old classic with its very own personality.
Freya has a strong varying thickness between the thick and thin strokes and therefore plays a lot with contrast. The whole idea of contrast comes together in different weights of the typeface family, which are connected through the same thickness of all horizontal lines. Freya is created in a consistent gradient of styles to ensure best functionality for Headlines and Text. Through its sharpness and elegant construction the typeface set its context in the field of lifestyle and fashion. Its features are carefully balanced to create a modern and novel appearance.

Licences (40€) are available via mail (info@omfd-official.com).

The design process started with the finding of a lettrage made for a book cover about the book of Revelations. It had clear historic links to Humanistic letter shape and proportions but somehow there was something refreshingly new in the way the counter-forms seem to be displayed. We build from there. Meant first as a custom-experimental project, it soon became a full-time commitment as we grew more and more fascinated by the kind of shapes we could design based on the few characters we had originally (“APOCALYPSE”, uppercases only).

Thin and elegant typeface visualising the solar systems gravity on different planets.
Style "Neptune" displayed.

The design process started with the finding of a lettrage made for a book cover about the book of Revelations. It had clear historic links to Humanistic letter shape and proportions but somehow there was something refreshingly new in the way the counter-forms seem to be displayed. We build from there. Meant first as a custom-experimental project, it soon became a full-time commitment as we grew more and more fascinated by the kind of shapes we could design based on the few characters we had originally (“APOCALYPSE”, uppercases only).

The design process started with the finding of a lettrage made for a book cover about the book of Revelations. It had clear historic links to Humanistic letter shape and proportions but somehow there was something refreshingly new in the way the counter-forms seem to be displayed. We build from there. Meant first as a custom-experimental project, it soon became a full-time commitment as we grew more and more fascinated by the kind of shapes we could design based on the few characters we had originally (“APOCALYPSE”, uppercases only).

Monoheight

Each glyph has its own shape and works different together within other glyphs in the family.

This extended font can be used for bold editorial statements, graphic heavy prints or just as a simple logo. This new type will definitely make your designs stand out and unique.

Its soft quirkiness notably in the lowercase "e" gives this type a great personality in titles and in body texts while retaining optimized legibility. It has elegant ligatures and curvier alternates if ever the need of a bit more personality arises.