/// cryptic looking monotype font, yet readable; round numerics to contrast to edgy letters and signs; every glyph constructed in a strict grid, therefore wildly combinable for sharp looking patterns and new shapes!

Still Work in Progress. No licences available at the moment.

Sharp, edgy and bold! Huge inktraps all the way down.

Neue Machina is a powerful and meticulously crafted typeface
boasting monospace/geometric type features as well as apparent and deep ink traps in its heavier weights. It is inspired by the aesthetics of robotics and machines — a font suited for the future of technology. It was design to be versatile, to blend in your designs in its lighter weights
or to give them a lot of personality in its heavier ones.

A grid inspired typeface!
3 styles: 1 (italic), 0 (regular) and -1 (reversed italic)
language: all latin glyphs

sorry but this font is not for sale yet.

Twelkmeyer is a recreation of a type designed by Victor Twelkmeyer – an architect, painter, and professor. He designed this type studying at the VHUTEIN (it was a center for three major movements in Russian avant-garde art and architecture: constructivism, rationalism, and suprematism). Twelkmeyer typeface is a mirror to ​​​​​​​the Soviet architecture 30's. It reflects the impressions from Vesnin brothers and Ginzburg's works, a curiosity to Bauhaus, and the first test of the waters of the socialist reconstructions.

AIRDANCER is a super-extended sans serif typeface designed to be used vertically on a 20ft bright orange airdancer for the 2018 semester opening at HfG Karlsruhe.
This font has been carefully optimized and offers a central-european latin character set.
Total glyphs count: 192

Please feel free to contact me for purchase requests or any questions regarding this font.

Cirka is an elegant typeface that combines classic forms & a vertical axis with sharp, pointy serifs.
It works great set large on posters or headers, or small, as body text.

Solenizant
Polish for a person celebrating birthday or nameday.

A unapologetic sharp, contemporary display typeface with experimental approach to weights interpolation.

Family of 10 weights with multiple language support, 350+ glyphs each.
Released by The Designers Foundry

Grafier is a timeless serif typeface that brings drastic contemporary aesthetics to classic design.
Grafier features fresh and precise digital curves, square dots and long connected serifs.
Turn on the 1st OpenType style set to disconnect them; the 2nd style set brings you nice and rounded dots. The font family comes in 5 weights from Regular to Black and 2 optical sizes – readable Text and elegant Display. Erase the boundaries between them with the variable format!

Still Work in Progress. Licences will be available in Spring/Summer 2019.

Formula is a complete and versatile typeface that bold racy condensed look with the flexibility of a grotesque. To make it graphically unique, we’ve added wide alternates to the uppercase, numerals and some symbols. Some subtle elements set this type apart from the others notably the “t”, “f”, “w” & “Q”.

One font combining two different styles. Use only uppercase for style 1 and lowercase for style 2 – or mix both. A licence costs 40€.

CITO Mono is pure uppercase and still WIP

A nice one!

Camber is a neutral sans-serif font that consists of 236 curvilinear characters that were built on a grid of 1,000 points.

Still a WIP, updates to follow...

Sangha Kali typeface based on  Sangha typeface and was optimized  for the digital use. Both of typefaces are inspired by the Brahmic scripts. The name of Sangha Kali based on the traditional dance of one of the most orthodox Brahmin caste – Nambudiri.  This socio-religious dance is dedicated to Goddess Kali, and save numerous gymnasium techniques (known as 'Kalaris') in ancient Kerala where physical exercises and military training with special emphasis on physical feats and swordsmanship were given. 

Health Goth is a radical gothic typeface inspired by the old-school blackletter tradition. The font was created for the Hungry book. Now it's available for everybody.

Whole range of interesting ligatures. A nice link between old and new typography.

Ozzy is a strange and wonderful display typeface that travels the Silk road from West to East. The name comes from the famous Shelley poem, Ozymandias, whose kingdom lies in ruins in the desert sand. The letters of Ozzy are reconstructed out of these ruins, using elements from ancient Arabic Kufic and Chinese seal script, combined with the swollen forms of Sixties album covers and the swashes of American brand logos from the 60's. Ozzy aims to surprise you with its unpredictable and idiosyncratic shapes. It is sharp, graphic and strong, but it sways gently too and fro like the load on a camel's back.

Dyade is still in the making and will be released in Spring/Summer 2019.

Nice ligatures

Ozzy is a strange and wonderful display typeface that travels the Silk road from West to East. The name comes from the famous Shelley poem, Ozymandias, whose kingdom lies in ruins in the desert sand. The letters of Ozzy are reconstructed out of these ruins, using elements from ancient Arabic Kufic and Chinese seal script, combined with the swollen forms of Sixties album covers and the swashes of American brand logos from the 60's. Ozzy aims to surprise you with its unpredictable and idiosyncratic shapes. It is sharp, graphic and strong, but it sways gently too and fro like the load on a camel's back.

It's mono but mono

Nieuk (Polish for dunce) is an experimental, modular typeface with lowercase letters only. Characters where constructed by reflecting, rotating and duplicating only two elements – a straight line and an arch. These two were enough to build three sets of consistent shapes.

As it would be expected from a dunce doesn’t hold a baseline. The letters are placed on various levels and have differing heights. This results in a tendency to connect in unexpected ways. Since it is uncommon for latin-based languages, it creates an illusion of foreign script

The typeface creates playful, dynamic-looking sentences. Headlines set in Nieuk are eye-catching and modern. OpenType feature Contextual Alternates (calt) allows to intertwine the three sets.

Oskar Schlemmers Triadisches Ballett premiered 100 years ago and is the inspiration for the geometric approach of this typeface

Goliagolia is a geometrically imperfect wavy font that's something in-between hand lettering and the Möbius band. Each letter has been designed to have distinct details that differ from the rest of the letters while still being able to fit in the whole style of the font. This creates a less rigid type in which the imperfect hand lines meet with modern sharp curves to give the typeface an unique contrast.
Buy on: https://thedesignersfoundry.com/goliagolia

Maruder (Polish for Marauder) is a reversed contrast display typeface balancing it's shapes between heavy curves and sharp lines. The first ones, heavy curves seems more friendly whereras the the sharpness is constantly ready to attack and maraud. Maruder is available in 2 styles (Regular and Italic)

Custom typeface for Boxing Lessons from Berlin

The AGHI Display typeface is part of the VIRTUA POSSE catalogue. The full version includes alternate glyphs. mail@virtuaposse.com

Decorative font inspired by street stories and Ramen.
WIP.
The font is not for sale, if anyone wishes to use it please contact me directly on instagram.

Still work in progress. Will be released in Spring/Summer 2019..

Swush is a 2-component typeface with some swushy weirdness to it. It comes in a spikey "barbed" and a heavier "bulked" cut.

Calligraphy hairline

Thin and elegant typeface visualising the solar systems gravity on different planets.
Style "Neptune" displayed.

Experiment with opentype features. Each letter has 4 different glyphs.

Swush is a 2-component typeface with some swushy weirdness to it. It comes in a spikey "barbed" and a heavier "bulked" cut.

Exclusively designed for Cyberspeak’s Identity as custom typeface.

Font request via mail (info@omfd-official.com). A licence costs 30€.

Presented at “Cruel Letter Exhibition”, Club “Mosaique”, St.Petersburg, Russia; 12.08.2018.

Presented at “Cruel Letter Exhibition”, Club “Mosaique”, St.Petersburg, Russia; 12.08.2018.

Brutal is a not stencil calligraphic typeface designed in light, regular and bold.

Geometric & monospaced. Email: info@gianlucalonigro.net

Calligraphy like font.

Geometric & monospaced. Email: info@gianlucalonigro.net

Benson Spirit is an adaption of results I achieved during a contrast research based on roman construction at Letterstudio at KABK in The Hague. All drawings went through a lot of iterations and developments and still remain as work in progress, therefore it is not for sale yet. I'm planning to offer Benson Spirit in several weights, coming with a few features, special characters, ligature and all that good stuff type design is offering.

If you're interested in trying out — contact me!

Geometric & monospaced. Email: info@gianlucalonigro.net

Axos typefaces designed with Matteo Sardina.
Sorry but this font is not for sale yet.

Each glyph has its own shape and works different together within other glyphs in the family.

MotoSpace is an extended grotesque which is primarily developed for sportive and urban styles.

This extended font can be used for bold editorial statements, graphic heavy prints or just as a simple logo. This new type will definitely make your designs stand out and unique.

TИГР/TIGR is my first take on a sans-serif typefaces. It aims for a dynamic, contemporary approach to humanist lettering. My inspiration was mainly drawn from all-time classics such as Gill Sans and Antique Olive. However TИГР/TIGRs edgy letter shapes create a timely, characteristic appearance trough snappy strokes and sharp endings. The narrowing line width towards stems or junctions creates an image of easiness in movement – reemphasized by the wide stand of the capital letters. The thus resulting large, very specific counters qualify TИГР/TIGR for both long running text, as well as distinctive display appearances.

This font has been carefully optimized and offers an extended latin character set, the cyrillic basic and extended adobe sets as well as stylistic alternatives.

Total glyphs count: 575

Please feel free to contact me for purchase requests or any questions regarding this font.

Freya is inspired by classic Antiqua serif typefaces such as the famous „Caslon“ or „Didot“ which are almost three decades old. With great attention to detail and an unique approach, Freya is a modern interpretation of an old classic with its very own personality.
Freya has a strong varying thickness between the thick and thin strokes and therefore plays a lot with contrast. The whole idea of contrast comes together in different weights of the typeface family, which are connected through the same thickness of all horizontal lines. Freya is created in a consistent gradient of styles to ensure best functionality for Headlines and Text. Through its sharpness and elegant construction the typeface set its context in the field of lifestyle and fashion. Its features are carefully balanced to create a modern and novel appearance.

Its soft quirkiness notably in the lowercase "e" gives this type a great personality in titles and in body texts while retaining optimized legibility. It has elegant ligatures and curvier alternates if ever the need of a bit more personality arises.

The design process started with the finding of a lettrage made for a book cover about the book of Revelations. It had clear historic links to Humanistic letter shape and proportions but somehow there was something refreshingly new in the way the counter-forms seem to be displayed. We build from there. Meant first as a custom-experimental project, it soon became a full-time commitment as we grew more and more fascinated by the kind of shapes we could design based on the few characters we had originally (“APOCALYPSE”, uppercases only).

The design process started with the finding of a lettrage made for a book cover about the book of Revelations. It had clear historic links to Humanistic letter shape and proportions but somehow there was something refreshingly new in the way the counter-forms seem to be displayed. We build from there. Meant first as a custom-experimental project, it soon became a full-time commitment as we grew more and more fascinated by the kind of shapes we could design based on the few characters we had originally (“APOCALYPSE”, uppercases only).

The design process started with the finding of a lettrage made for a book cover about the book of Revelations. It had clear historic links to Humanistic letter shape and proportions but somehow there was something refreshingly new in the way the counter-forms seem to be displayed. We build from there. Meant first as a custom-experimental project, it soon became a full-time commitment as we grew more and more fascinated by the kind of shapes we could design based on the few characters we had originally (“APOCALYPSE”, uppercases only).

Monoheight